![]() Audiences can see a live broadcast of an opera at their local movie theater, while wearing jeans and sweatshirts, explains Trudeau. There are new ways to attend, as well."įor instance, Trudeau says, "The New York Metropolitan Opera's HD broadcasts, reach millions of viewers each season." This is not only less expensive than attending at the Met, but it's also more casual. "However, attending live performances is only a small part of how classical music is experienced today. "Many people clearly still value the live experience," he notes. "What has changed is there are more avenues than ever before for classical performance and public education, including public radio, the Internet, and other digital technologies."Īlthough there are occasional gloom-and-doom forecasts about the imminent death of classical music, the National Endowment for the Arts reports that the total number of adults annually attending classical music performances is down only 2.8 percent from 1982 to 2012, explains Trudeau. ![]() "Classical music is alive and well," says George Trudeau, Director of the Center for the Performing Arts at Penn State. Does classical music still speak to audiences today? However, this music was created to be enjoyed as an art form, not simply to be used as a therapeutic tool. Remember the fad of playing Mozart CDs for newborns? In the 1990s, a group of neuroscientists created a surge in classical CD sales when they published findings suggesting that exposure to music by Mozart could enhance human spatial reasoning and memory - the so-called "Mozart effect." People have long believed that classical recordings are a musical prescription to boost intelligence and test scores and reduce anxiety and depression - and studies continue to suggest there may be some truth to this notion.
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